Download PDF by Patrick McNaughton: A Bird Dance Near Saturday City: Sidi Ballo and the Art of

By Patrick McNaughton

In 1978, Patrick McNaughton witnessed a fowl dance masquerade within the small city of Dogoduman. He was once so plagued by this functionality that its outstanding inventive strength hasn't ever left him. As he revisits that very targeted night in A chicken Dance close to Saturday urban, McNaughton conscientiously considers the parts of the functionality, its velocity, the performers, and what the complete event potential for understandings of Bamana and West African aesthetics and tradition. The functionality of virtuoso dancer Sidi Ballo turns into McNaughton's motor vehicle for realizing the facility of people in African paintings and the ability of aesthetics as a cultural phenomenon. themes corresponding to what makes artwork powerful, what makes it "good," how creation is wrapped in person virtuosity, and what person artistry indicates approximately society demonstrate how members interact to create the indelible event of remarkable functionality. This exuberant and pleasing ebook will impact perspectives of society, tradition, artwork, historical past, and their makers in West Africa for years to come.

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Extra info for A Bird Dance Near Saturday City: Sidi Ballo and the Art of West African Masquerade (African Expressive Cultures)

Sample text

He sways and moves slowly but seems tremendously agitated. He squawks at the senior singer Mayimuna, and anticipatory tension fi lls the air. Kònò Turns Over and Dances Upside Down: In an exquisite sequence of carefully executed moves, the bird “falls” to the ground on its side and then turns completely upside down in a material reconfiguration onethird the height it has been all evening. Compressed inside, the master masquerader proceeds to slowly dance about the arena, feet not touching ground but rather the cloth top of the masquerade.

Mayimuna’s Salutations: Kònò speaks in tones to praise people. Mayimuna takes stage center and sings beautifully, as the bird spins around her. Leaping the Bench: As the evening winds down, Kònò uses a bench as a prop to leap upon and over, and then he executes another furious round of virtuoso dancing. A Calabash from Which to Drink: The bird drinks from a calabash of milk, an interesting feat in response to an honoring gesture of offering cool refreshment. The Performance Is Nearly Over: The drum orchestra takes the arena, and most of the audience dances as Kònò slowly orchestrates his final exit.

Leaping the Bench: As the evening winds down, Kònò uses a bench as a prop to leap upon and over, and then he executes another furious round of virtuoso dancing. A Calabash from Which to Drink: The bird drinks from a calabash of milk, an interesting feat in response to an honoring gesture of offering cool refreshment. The Performance Is Nearly Over: The drum orchestra takes the arena, and most of the audience dances as Kònò slowly orchestrates his final exit. Mayimuna and the Young Ladies’ Chorus Sing the Evening to a Close: Mayimuna sings that she is tired and is going home.

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