A Concept of Dramatic Genre and the Comedy of a New Type: by Vera Zubarev(aka Ulea) PhD PDF

By Vera Zubarev(aka Ulea) PhD

Utilizing structures idea to the comedies of Chekhov, Balzac, Kleist, Moliere, and Shakespeare, an idea of Dramatic style and the Comedy of a brand new style: Chess, Literature, and picture techniques dramatic style from the perspective of the measure of richness and power of a character’s power. Its major concentration is to set up a strategy for reading the aptitude from multidimensional views, utilizing platforms considering. the entire proposal is a substitute for the Aristotelian plot-based technique and is utilized to an research of western and jap ecu authors in addition to modern American film.           This cutting edge examine comprises 3 elements: the 1st half is generally theoretical, presenting a brand new definition of the dramatic as a class associated with common structures phenomena and providing a brand new type of dramatic style. within the moment half, Ulea bargains a textual research of a few works in line with this new type. She analyzes comedies, tragedies, and dramas at the related or related themes with a view to display what makes them belong to contrary different types of dramatic genre.  Additionally, she considers the query of destiny and probability, with reference to tragedy and comedy, from the viewpoint of the predispositioning concept. within the 3rd half, Ulea explores an research of the comedy of a brand new type—CNT.  Her emphasis is at the integration of the half and the entire in forthcoming the protagonist’s power. She introduces the time period quasi-strong capability for you to display the illusory energy of protagonists of the CNT and to teach the means of CNT’s research and synthesis.            Ulea’s learn starts with the suggestion of the comedian, commonly thought of synonymous with the laughable, and makes an attempt to procedure it as autonomous from the laughable and laughter. the need to achieve this is dictated by way of the need to penetrate the enigmatic nature of Chekhov’s comedy. the result's an idea of Dramatic style and the Comedy of a brand new kind: Chess, Literature, and picture, a very new method of power and platforms thinking—which hasn't ever been a spotlight of dramatic thought sooner than. Such strength is the touchstone of the comedian and comedy, their everlasting simple attribute, the guts and axis round which the comedic global spins.

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Additional resources for A Concept of Dramatic Genre and the Comedy of a New Type: Chess, Literature, and Film

Sample text

Processing reveals styles, ways of connectivity among the system’s elements, and methods for the system’s transformation. The operative methods include reactive, or reflexive (taken from the Katsenelinboigen’s typology), and selective. The ways of connectivity among the system’s parameters— programming, predispositioning, and randomness—are represented from the point of view of their completeness and consistency. Programming is the formation of complete and consistent linkages between all the stages of the systems’ development.

Acron offered a comment on the Ars Poetica 288 that led only to confusion. ” (2) It is obvious that new features appearing in comedies and tragedies required an analytic framework to avoid overwhelming theoreticians with the multitude of their specific aspects. Naturally, such entropy cannot be regulated without a global, comprehensive vision of the phenomenon of the dramatic genre. Empirical observations expanding wildly may quickly turn into a jungle. Dramatic Genre and General Systems Theory Reasons for considering the potential as the core of dramatic genre.

This makes it possible to teach people general rules of behavior. The evaluation of the falling object in the construction area or the stranger approaching the child must be unconditionally negative. In cases other than reflexes, one should discuss a chain of initial and dual parameters, which can be described as the following: 1. The appearance of an object (initial parameter) 2. Its evaluation (dual parameter) 3. Appearance of certain emotions as a result of such an evaluation (initial parameter) 4.

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