"Acrylics permit me to be fearless." --Rhonda Franks, p88
A exhibit of the flexibility of the medium and what's being performed with it at the present time, AcrylicWorks 2 good points lovely work from a hundred+ of today's best artists. packed with radical thoughts, chuffed injuries and unending probabilities, this 2d quantity of the easiest of Acrylic portray makes a speciality of how artists accomplice with acrylics for step forward discoveries and breakout results.
greater than one hundred twenty five work from a hundred+ modern artists
Artist insights at the whys and hows in the back of the paintings
an exhilarating number of types and strategies, from intentional methods to wildly improvisational brushstrokes
assorted matters, together with landscapes, humans, nonetheless lifes, animals and abstracts
Acrylic paint permits the artist to play with textures, splashes, drippings, numerous instruments and brushes...all the whereas unhindered by way of drying time. It deals the power to paintings a portray rainy or dry, speedy or sluggish, in any variety of layers with out the necessity pull oneself out of it. it's that feel of freedom that breeds the type of experimentation featured in those pages. Artist and paintings fans alike will locate clean notion in those own and inventive breakthroughs.
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Additional resources for Acrylicworks 2: Radical Breakthroughs
Rocks are landscape elements that lend themselves readily to painting with such found materials as sponges. Besides that, use two methods. One is I basically the razor- blade or cardboard technique; the other is a spatter technique. painting a rock, as with paint, I think about its all When objects I placement, shape, size, and weight rather than about my overall subject matter. 6 cm), courtesy of Midtown Galleries, New York City This painting of Maine rocks and shoreline has a yellow ochre underpainting that was overpainted with India ink; the artist scratched razor blade, palette knife, and handle of a brush.
Discovering ways to use I enjoy them in my work and the various effects they will create, and thus I encourage my students to experiment and improvise with both manufactured and natural materials. When sketching in the field, I often begin with only a knife, sketch 32 Here are some unconventional but in the useful found materials, a few of demonstrations in this chapter. 5 In making materials. 9 cm), private collection, New Jersey used several different techniques based on found These included paper tape and a rag others, notably the lettering on the to mask certain areas while I side of the barn; a razor blade to scrape in the farm equipment, ladder, buckets, and other details; a wire brush to create the wood's texture; To develop the texture it.
Then, holding a piece of paper as a mask, I continued some Hooker's green dark and painted using the mutilated brushstroke to add a few pine trees behind the rock to birch trees in the distance, suggesting a make horizon it stand out. Still line. using the mutilated brush, this time with yellow ochre, I brought out the grass growing through the scratched more in the it with my texture. Last, I snow and fingernails to add added a pheasant foreground to complete the S- shaped composition.