New PDF release: All joking aside : American humor and its discontents

By Rebecca Krefting

In this exam of stand-up comedy, Rebecca Krefting establishes a brand new style of comedic creation, "charged humor," and charts its pathways from construction to intake. a few jokes are tears within the cloth of our beliefs―they problem myths approximately how reasonable and democratic our society is and the behaviors and practices we enact to take care of these fictions. Jokes loaded with vitriol and brought with verve, charged humor compels audiences to motion, artfully summoning political critique.

Since the institutionalization of stand-up comedy as a special cultural shape, stand-up comics have leveraged charged humor to bare social, political, and monetary stratifications. All Joking Aside deals a heritage of charged comedy from the mid-twentieth century to the early aughts, highlighting dozens of proficient comics from Dick Gregory and Robin Tyler to Micia Mosely and Hari Kondabolu.

The approval for charged humor has waxed and waned over the last sixty years. certainly, the background of charged humor is a story of intrigue and subversion that includes dive bars, public remonstrations, fickle audiences, motion picture stars became politicians, schedule carriers, emergent applied sciences, neoliberal mind-sets, and a cavalcade of comedian misfits with an ax to grind. alongside the best way, Krefting explores the fault strains within the glossy economic system of humor, why males are looked as if it would be funnier than ladies, the complicated acclaim for modern day minstrelsy, and how identities are packaged and bought within the marketplace.

Appealing to someone attracted to the politics of humor and producing implications for the research of any kind of renowned leisure, this background displays on why we make the alternatives we do and the collective strength of our consumptive practices. Readers should be extremely joyful by way of the extensive array of comedian expertise spotlighted during this e-book, and for these drawn to comedy with substance, it is going to supply another punchline.

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Additional resources for All joking aside : American humor and its discontents

Sample text

Indeed, the impetus for theorizing cultural citizenship grew out of a desire to build community and secure rights among those experiencing exclusion from the larger national body. It is not a foregone conclusion that second-­class citizens will take up arms or rhetorically combat the system or groups maintaining their subordination. While many minority comics perform charged humor, they do not have to and we should not assume that they do or will; they are under no obligation to use humor to engender community or speak out against bigotry.

We’re there, every day, early [ people start cheering and whistling]. Let me give you some examples—­Taco Bell had some tainted green onions, [assumes a mock “White” accent] “Oh god, I got E. ” [Resumes normal voice] Some tainted green onions showed up at Taco Bell, okay, White people get E. coli—­the ­whole world fucking stops. Who picks the onions? [Cheers] Latinos! You talk shit about us it gets down to the fields [laughter and cheering]. I didn’t hear you, what did they say about us? They don’t want us ­here, ­we’re lazy, and ­we’re depleting the system?

Tele­vi­sion and film are subject to censorship not just by the Federal Communications Commission; a film’s or show’s content is also subject to network standards that are in turn supported by advertisers. If the content is polarizing, advertisers may lose out on a portion of a desirable market. Networks choose content carefully to avoid objectionable material that could cost them advertisers. ”33 Not a ­whole lot has changed. Sometimes satirical, but always politicized, charged humor, especially coming from an unknown comic, is not conducive to prime time tele­vi­sion, historically or today.

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