Read e-book online Analytical Index to Publications of Texas Folklore Society, PDF

By James T. Bratcher

The first of the courses of the Texas Folklore Society, Round the Levee, edited by means of Stith Thompson, was once released in 1916. by means of 1972, thirty-six volumes had seemed, recording nearly thousand folktales, ranging in kind from easy puns to advanced relatings of marvels and adventures and in therapy from straight forward presentation to scholarly dialogue. In his quantity, James T. Bratcher indexes and makes the wealth of fabric during this sequence available to folklorists everywhere.

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He sways and moves slowly but seems tremendously agitated. He squawks at the senior singer Mayimuna, and anticipatory tension fi lls the air. Kònò Turns Over and Dances Upside Down: In an exquisite sequence of carefully executed moves, the bird “falls” to the ground on its side and then turns completely upside down in a material reconfiguration onethird the height it has been all evening. Compressed inside, the master masquerader proceeds to slowly dance about the arena, feet not touching ground but rather the cloth top of the masquerade.

Mayimuna’s Salutations: Kònò speaks in tones to praise people. Mayimuna takes stage center and sings beautifully, as the bird spins around her. Leaping the Bench: As the evening winds down, Kònò uses a bench as a prop to leap upon and over, and then he executes another furious round of virtuoso dancing. A Calabash from Which to Drink: The bird drinks from a calabash of milk, an interesting feat in response to an honoring gesture of offering cool refreshment. The Performance Is Nearly Over: The drum orchestra takes the arena, and most of the audience dances as Kònò slowly orchestrates his final exit.

Leaping the Bench: As the evening winds down, Kònò uses a bench as a prop to leap upon and over, and then he executes another furious round of virtuoso dancing. A Calabash from Which to Drink: The bird drinks from a calabash of milk, an interesting feat in response to an honoring gesture of offering cool refreshment. The Performance Is Nearly Over: The drum orchestra takes the arena, and most of the audience dances as Kònò slowly orchestrates his final exit. Mayimuna and the Young Ladies’ Chorus Sing the Evening to a Close: Mayimuna sings that she is tired and is going home.

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