By Caroline Cannon-Brookes
London: Paul Hamlyn, 1969. advantageous hardcover in nice dustjacket, no markings, ARCH505851. 1st Print. not easy hide. Fine/Fine. octavo - over 7
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Santini was 1 built 1719-22. Below, the interior. Santini based the design of the church on a five-pointed star with five additional pentagonal chapels. The church is dedicated to St John Nepomuk. and the stars symbolise the five stars which, according to the legend, appeared above the saint after he had been thrown into the River Moldau. surveyor of the future episcopal palace at Wiirzburg. The architecture of the Schonbornkapelle at Wiirzburg (1723-36) and the Neumann's dynamic the Baroque tradition.
The splendid vault is articulated by a series of broad cwved ribs, which carry on the upwards movement Far left, built of the pilasters and lace the stria litre together. The main spaces arefrescoed by M. Steidl. 41 42 of the abbey church of Caspar Moosbrugger began the Left, the facade Einsiedeln. church in 1719 but after his death Thomas Meyer took over and completed it convex facade in is Salzburg, but the scale vertical elements are berg, Swabia and Switzerland. There the pace was set closely intermarried families of Vorarlberg architects who had is The strongly is much larger and the handled more emphatically.
Fischer was keenly interested in the exteriors of his churches as well as the interiors, and the facade of Zwiefalten with its soft flowing curves echoes the rippling movement to be found in the interiors at Osterhoven and elsewhere. The success of Zwiefalten led to his receiving the commission to complete the great Benedictine abbey church of Ottobeuren, which had been begun in the 1730s. J. M. Fischer altered the design of the interior by increasing the size and importance of the central piers and emphasised the diagonal axes with additional altars.