Harald Busch's Buildings of Europe: Renaissance Europe PDF

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Antike Motive, souveran kombiniert. Halbsaule und umkranzte Rundfenster an der Kirche S. Francesco, die Sigismondo Malatesta nach 1445 durch L. B. Albert! in den „Tempio Malatestiano" verwandeln lie8. A supreme combination of classical motifs Half-columns and garlanded circular windows at the church of S. Francesco transformed post 14 45 by L. B. Alberti into the "Tempio Malatestiano" Rimini, central Italy. c. 1470. w^m * ->\ ~J>J Castelli Alinari Tlorenz. Der Der hi. Museo Nazionale. Georg des Donatello, urn scharf beobachtende, nicht spiegelt den Renaissance-Menschen.

35 Prague. The huge Vladislav Hall in the castle (B. Rieth, 1484—1502), scene of the coronation of the Bohemian kings. In the last phase of Late Gothic, rib-vaulting loses its architectural function and becomes a decorative form.

1240) with its pilasters and entablature on the portal has the regular symmetrical design of a Roman fort. e lei Alinori Das Baptisterium, aus der klassischen romanischen semen der Spatantike noch nahe verwandten 'lorenz. st ,n ;in Zeugnis der toskanischen Vor-Renaissance. norence. The Baptistery at the same (c. time, with uscan Proto-Renaissance. _s «5 its o), of the classic Zeit (um x«o) Former, gleichzeitig Tlorenz. Die Domkuppel, von Brunelleschi 1410-36 Rippenkonstruktion in Romanesque period almost classical forms, an example of the in gotischer errichtet, zeigt Renaissancegesinnung ihrer harmonisch ruhenden Majestat.

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