Contemporary Musicians: Profiles of the People in Music: - download pdf or read online

By Michael L. LaBlanc

Modern musicians

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Extra resources for Contemporary Musicians: Profiles of the People in Music: Volume 1

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Addresses: Home—Switzerland. , #22-Q, New York, NY 10022. Bowie went from Ziggy Stardust to Aladdin Sane, made up with a lightning bolt drawn across his face and a painted-on tear drop; to the Thin White Duke, who slicked his hair back and wore white suits. " As disco music was peaking in popularity, in "Fame" Bowie turned to a funk beat. " During the mid-1970s Bowie staggered under the weight of drug abuse problems. He confided to Loder that he sustained "incredible losses of memory. Whole chunks of my life.

Pleasants suggests that had Cash been a more successful salesman he might never have become a professional entertainer. In 1954 he teamed with two new friends, Marshall Grant and Luther Perkins, to form a small gospel band. They played informally for several months, then Cash's financial situation impelled him to try to find a recording contract—or at least some profitable gigs. Luckily, an innovative producer named Sam Phillips was living in Memphis at the time; his Sun record label had introduced Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Roy Orbison, to name a few.

Ray Charles has secured a place for himself among the most important figures in post-World War II American music. rhythm-and-blues, it was his new sound, the granddaddy of pop, rock, and soul, that consistently drew rave reviews. " Credited with influencing countless musicians, including such greats as Aretha Franklin, Stevie Wonder, and James Brown, the entertainer elected, during the mid1960s, to begin working the nightclub circuit. Although some critics saw the decision as an admission of declining appeal, Charles's continuing success has all but vanquished those claims.

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