New PDF release: Doctor on the Brain (Doctor Series, Book 10)

By Richard Gordon

On a sunny morning in June, the dean of St Swithan's health facility clinical tuition is suffering to prevent hypocrisy as he writes the obituary for his fearsome sparring accomplice, Sir Lancelot Spratt. but faraway from being a funereal and moribund story, health care provider at the mind is a fast-moving, hilarious comedy the place the jokes are liberally allotted and the mishaps all too universal. The dean's pregnant daughter, his wife's tantrums, the health practitioner round the corner and the mysterious willowy blonde secretary all upload to the hilarity - doubtless not anything can hose down the clinical excessive jinks of Richard Gordon's host of wonderful characters.

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Extra info for Doctor on the Brain (Doctor Series, Book 10)

Sample text

With the failure of this attempt to find at least one ally in the audience, Euclio's nlood changes from hysteria to despondency, and he begins to recognize that his obsession with the gold caused him to deprive himself to no avail. Euclio has slowly begun the progression that will lead to his awareness in the play's last scenes that the gold brought hin1 only trouble (frags. 3 ~4)· This recognition of his own failure is directly connected ,vith Euclio's alienation from the audience. At the same time that he acknowledges that he cheated himself, he says that others (alii, 725) gain pleasure in his situation.

When Grurnio tells Tranio, "Go ahead, act like Greeks," he is speaking as if both he and Tranio wcre Romans. By implication, then, the very depravity Grumio criticizes in Tranio and his companions is placed within a P.. oman as well as a Greek setting. The satirical possibilities of such allusions become still stronger when those who call themselves and others Greek arc themselves involved il1 immoral behavior. In Alamlor, for example, Lysimachus buys the courtesan Pasicompsa for his friend, the SCI/CX allUltor Demipho.

Observing the slave thinking, PeriplectomellUS compares him to a POC((J /)(lrbdntS, a barbarian poet (2 I r). ome. ) Casil/(] includes several passages where reminders of the Greek setting mark places where slaves' actions are nlost audacious. The first comes in the prologue. lZ,esponding to hypothetical queries from the audience about the THE TI-IEI\TER OF PLAUTUS t:1C t that slaves are to marry in this phy, the pr%glls says slave marriages ocin Greece, Apulia, and Carthage: again, slaves can behave in ways • unacceptable in lz'ome because they are in Greece.

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