Download e-book for iPad: Douglas DC-6 and DC-7 by Harry Gann

By Harry Gann

Douglas DC-6 and DC-7 КНИГИ ;ВОЕННАЯ ИСТОРИЯ Douglas DC-6 and DC-7 (AirlinerTech 4)ByHarry GannPublisher:Specialty Press1999 102 PagesISBN: 1580070175PDF38 MBOne of the illustrated sequence that takes a technical examine airliners. This quantity comprises engineering drawings, creation line pictures, functionality figures, powerplant information and close-ups of airplane buildings. It additionally incorporates a survey of preceeding Douglas airplane. letitbit sharingmatrix zero

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6. Can the garment be handled safely without causing further damage? Historic dress can often be incredibly fragile, and even careful handling can cause additional, irreparable damage. Are gloves necessary? 5). CHAPTER 3 7. What are the most unusual or unique aspects of the garment? Note your initial impressions of the most striking features. 42 8. Does the collection have any other garments like it, either by the same designer or from the same period? These other garments may aid your research by providing useful comparisons in terms of construction, materials and decoration.

Photo by Ingrid Mida. 37 REFERENCES Arnold. J. (1972), Patterns of Fashion: Englishwomen’s Dresses and their Construction 1660–1860, London: Macmillan. Arnold. J. (1977), Patterns of Fashion 2: Englishwomen’s Dresses and their Construction 1860–1940, London: Macmillan. Arnold. J. (1985), Patterns of Fashion 3: The cut and construction of clothes for men and women 1560–1620, London: Macmillan. Burnham, D. (1973, reprinted 1997), Cut My Cote, Toronto: Royal Ontario Museum.  (1999), Material Culture in the Social World, Philadelphia: Open University Press.

Does the garment smell? Our noses can detect sweat, body odor, animal scents, dirt, and other musty smells imbedded in a garment, and these aromas of the past can cause a visceral reaction and even repulsion. 64 PERSONAL REACTIONS Given that we are drawn inherently to objects that appeal to us in some way, it is important to reflect on what attracted you to the garment, and what you initially hoped to learn or discover through the process of object-based research.

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