By Andrew Loomis
The elusive and intriguingly titled Eye of the Painter and parts of good looks is Loomis final publication, released posthumously in 1961, years after his dying. Its his treatise on how an artist perceives attractiveness and concord.
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Use References Draw Dynamic Action More than having someone just swinging a sword, heroic fantasy is full of swashbuckling action and derring-do. Draw your character leaping in the air. Based on the velocity of the leap and the weight of the leaper this is a strategic attack against a much larger opponent. Fill a sketchbook with drawings of people in a fencing or Kendo club. Look at the stances and postures. Note how the legs and weapons move. Pause a video or DVD during a particularly well-done battle scene, then quickly sketch the poses in each frame until you find the most dynamic way to show that action in one image.
28 Face 3/4 view he challenge of this view is to make sure you draw the back of the skull and not cut it off by drawing it too small. We always forget we have all the head back there. T Draw two horizontal lines for the top and bottom of the head. Draw two egg shapes, one slightly tilted and the other tilted back just a little. The edge of the second egg is the axis of the face. Block in the eye line halfway between your head guidelines and indicate the other features. Wrap the lines around the head and don’t just sit them flat.
P Helmets come in many shapes and sizes. Wearers of helmets would usually wear chainmail over padding underneath. Some had chainmail attached to them and later models had visors that could be lowered when danger approached. Helmets are one of the few items of armor still worn today by the modern military. Donning a Helmet A padded hood is worn first. This helps absorb any impacts from falling or weapons such as maces or clubs. e The “bucket helmet” is strong and simple. It is still vulnerable to some chopping attacks and most blunt attacks.