By Nigel French
It really is no secret why InDesign has turn into the ultimate web page format application: It deals nice tools-not least between them its refined typographic controls. the following to teach you ways to exploit them is the 1st publication committed completely to that subject. no matter if you are a photographs professionals migrating from InDesign's long-entrenched competitor QuarkXPress or a hobbyists generating fancy invitations and book-length tasks, you are going to savor this guide's finely tuned specialize in every little thing typographic. knowing that to take complete good thing about InDesign's typographic instruments, you want to comprehend the rules guiding their use, writer Nigel French addresses either the whys and the hows of excellent typography. utilizing sensible examples, and a great deal of information, Nigel offers a entire assessment of all of InDesign's style good points, together with the Paragraph Composer, optical kerning, and its aid for OpenType fonts. beginning with personality codecs after which relocating via paragraph codecs, types and results, and layouts, you will have received the entire abilities they should produce attractive sort via the tip of the quantity.
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Extra resources for InDesign Type: Professional Typography with Adobe InDesign CS2
Annoying, aren't they? Continuous text set in all caps is hard to read because the shapes of the words all look alike and are differentiated only by their length. We recognize words as shapesthe descenders and the ascenders of upper and lowercase text are essential to our ability to identify letters. Also, text set in all caps within body text tends to look disproportionately large when set among upper and lowercase text; hence the need for Small Caps. Just as shouting doesn't make your message any clearer, setting text in all caps doesn't make your message any more compelling.
Basic Character Formats. [View full size image] 52 Part I: Character Formats Part I: Character Formats 53 Bad leading makes your text harder to read because the eye has trouble locating the next line of type. When leading is too tight, the type may appear intimidatingly dense, and the descenders of one line will collide with the ascenders of the next. At the other extreme, when the leading is too loose the type lack cohesion. This is especially so if the leading is greater than the space between the paragraphs.
Sometimes it's necessary to adjust the space between letters to achieve the appearance of even spacing. Note A surefire way to raise the hackles of a purist typographer is to use the terms kerning and tracking interchangeably. While closely related, they are distinct. Kerning refers to adjusting the space between a pair of characters. Tracking means adjusting the space across a range of text. When to Kern The objective of kerning is to achieve the appearance of equal spacing on either side of each character.