By Luc Noppen
Publication by means of Noppen, Luc
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Additional info for In the National Gallery of Canada "One of the most beautiful chapels in the land"
To ensure the clearest possible presentation of a work whose poly- chromy and sculptured tural motifs contrast strongly with modern architec- spaces shorn of unnecessary decoration, the restoration team opted for the recreation of certain elements in the appropriate style. Thus, some stencilled ornaments were reproduced and the wooden floor and dado were replaced. window arch frames, backlit If for chapel In the interests of authenticity, the old sashes, dating from the 1920s, some down to pointed- simulate daylight.
To These chapels most instances - as in Congregation de Notre-Dame in their vaults, often semicircular or floors, as a result of which dome-shaped, could rise into the roof. had above Street structure, however, containing a dormitory; its was one end therefore ceiling chapel wing was located at convent of the the Montreal (1874) or of the Ursulines in Roberval (1907) - were located on the upper The Rideau in an it In addition, the flat. of the complex, buildings were expected to be added, attic storey and there was where other therefore no question of installing an exterior sacristy, or vestry for the officiating priest.
The more open space of the chapel of the Rideau Street Convent, with its side aisles, is unique in this respect. A MASTERWORK ON DISPLAY 48 Although there were several priests and religious involved in art and architecture in New France - one thinks of Frere Luc, the painter and architect, or was Jacques Leblond, solely intended to serve as a stopgap for At the end of the eighteenth century, architects. - work the lack of artists and however, the scene was dit Latour, the sculptor their changing.