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Extra info for Israeli humor: the content and structure of the chizbat of the Palmah

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5 Nevertheless, outstanding performers were recognized by the group, and they might dominate any particular chizbat session: These people were known as tellers. Hayyimkeh and Ofer had a natural sense of selection for stories, in regard to those worthy of maintaining, and in the essential construction of the story. In this sense I regard them as creators. There were many people who could tell, but they could drive you crazy. 6 Apparently the ability of individual performers was not an independent variable, but might vary with the size of the audience: Hayyim the Fat, it was much easier for him to tell stories in a Page 26 very small group, sometimes even two or three people.

Isaachar Ben-Ami and Dr. Heda Jason for their advice and assistance during my research in Israel. During the difficult period of the preparation of this manuscript, many friends offered all kinds of encouragement: Frank and Rosan de Caro, Larry and Kerstin Danielson, Benjamin Fass, Bruce and Gen Giuliano, Michael and Jane Jones, Dianne and Harold Kagan, Norman and Judith Klein, and Taffe Semenza. I can only hope that someday I will have the opportunity to do the same for them. Last, but not least, I would like to thank my mother, Renee F.

In the overwhelming majority of instances, both audience and performer were intimately involved in Palmah activities. 3. The setting: The setting most often described for the performance of chizbat was a kumzits of the members of a mahlakah. A kumzits is a get-together of a group of people, usually in the evening, for the purpose of self-entertainment. Generally, it took place around a fire, and coffee would be prepared, food would be served, songs would be sung, and stories told. There was often a specially designated area where kumzitsim would be held: On the kibbutz we would work nine hours.

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