By Ben Schrank
Peter Herman is anything of a folks hero. Marriage Is a Canoe, his mythical, decades-old ebook on love and relationships, has received the hearts of hopeful romantics and determined cynics alike. He and his cherished spouse lived a comparatively peaceable existence in upstate manhattan. yet now it’s 2010, and Peter’s spouse has simply died. thoroughly misplaced, he passes the time with a lady he admires yet doesn’t love—and he starts to appear again during the pages of his publication and query homilies such as:
A stable marriage is a canoe—it wishes care and isn’t intended to carry too much—no greater than adults and some kids.
It’s suggestion he has famously doled out for many years. yet what's it worth?
Then Peter gets a decision from Stella Petrovic, an bold younger editor who desires to have a good time the fiftieth anniversary of Marriage Is a Canoe with a competition for suffering undefined. The prize? a day with Peter and an opportunity to avoid wasting their relationship.
The contest ensnares its writer within the mostly opaque politics of her publishing apartment whereas it introduces the reader to in quite a few states of misery, together with a shy thirtysomething Brooklynite and her charismatic and entrepreneurial husband, who may be a piece too charismatic for the great in their marriage. There’s the middle-aged writer whose imposing demeanour has controlled to impose loneliness on her for longer than she cares to confess. after which there's Peter, who needs to notice what he meant when he wrote Marriage Is a Canoe if he's going to assist the contest’s winners and have the opportunity to like back.
In Love Is a Canoe, Ben Schrank gives you a wise, humorous, romantic, and highly fulfilling novel concerning the fragility of marriage and the trouble of repairing the wear whilst well-intentioned humans fail to remember the best way to be strong to one another.
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Extra resources for Love Is a Canoe: A Novel
Two easy exercises to help develop this are the Conducted Story and the One-Word Story. ONE-WORD STORY The One-Word Story is one of the simplest of all improv exercises, and very useful for teaching the importance of staying in the moment. Here, a group of players (usually six to eight) build a story one word at a time. The basic method sees the actors line up on stage and, beginning at one end, each speaking one word, forming sentences and telling a story. This is quite easy to do, assuming the players don't try to plan ahead, but more difficult to do smoothly and well.
When the players are "frozen," the third player will tag one of them out and take his place in the same physical position. He then starts an entirely new and different scene which justifies the physical positions of both players. In the opening line of each new scene, the initiation must be clear, so the new scene is immediately understood. The following is an example of how a Freeze Tag might look. If the opening line, taken from the audience, is "Let me carry you over the threshold," the exercise could begin with a woman carrying a man in her arms (knowing how players take unusual choices): WOMAN: Let me carry you over the threshold.
But Chris paid close attention to Stuart's smug attitude, and responded correctly! Tim Kazurinski of Saturday Night Live recalls that while he was at Second City, Del would drill them over and over with three-line scenes. 42 "When you were on stage, you said the opening line, the person who jumped up on stage said another line, and you had to respond. That meant that in those three lines, you had to identify who you were, where you were, and what this scene could be about. We quickly learned to identify the who, the what, the where and the why in three lines," says Kazurinski.