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By Sue Allen Hoyt

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Muqarnas 17 (2000), 183-84. ” Ph. D. diss. (Berkeley: Univ. of California, 1988), 71. 67 Neer “Pampoikilos” 71. ” The Concept of Style, ed. Berel Lang (Ithaca: Cornell Univ. Press, 1987) 190. 68 This also contradicts Neer’s adoption of Michael Vickers contention that vase-painters were mere hacks who lacked the capacity for independent invention, and simply copied metalwork. 69 Aristophanes, Ekkleziazusai, l. 995. 6, as proof of a violently competitive pottery market. Even if the market were highly competitive, Neer’s hypothesis of the potters’ response remains purely conjectural, and less than convincing.

14 For typical examples, see Cook, Pottery 285 and 296. 15 Bothmer, 200 Years 190. 16 Eduard Gerhard, Catalogo di scelte antichitá etrusche trovato negli scavi del Principe di Canino 1828-9 (Viterbo: C. Tosoni, 1829). 17 Bothmer, 200 Years 191. 18 J. J. Winckelmann, Geschichte der Kunst des Altertums (Dresden, 1764) 123. 2): 241-2. Ian Jenkins and Kim Sloane, Vases and Volcanoes. (London: British Museum Press, 1996), 153. 19 Olivier Rayet and Maxime Collignon, Histoire de la Céramique Grecque. (Paris: George Decaux, 1888), x.

Landauer, 1854). 21 Adolf Furtwängler, Beschreibung der Vasensammlung in Antiquarium. (Berlin: Spemann, 1885). 22 Paul Hartwig, Die griechischen Meisterschalen der Bluthzeit der strengen Rotfigurigenstils. (Berlin: G. Reimer Verlag, 1893). 23 For example, Jahn and Michaelis (n. 21 above), Adolf Furtwängler and Wilhelm Reichhold, Griechische Vasenmalerei (Berlin: Bruckmann Verlag, 19041935); Richard Norton, “Andokides,” AJA 11 (1896): 1-41. 36 24 Oliver S. 2 (1904): 65-117. 25 As it had been for Hartwig; see n.

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